The Season

By: Sarah MacLean

prologue




January. 1815

Blackmoor Estate, Essex, England

The rain fell steadily on the slick rocks marking the edge of the Essex countryside, where the land fell in sheer cliffs to a frigid winter sea.

His horse was uncertain of its footing, shying away from speed and direction in favor of steady ground. The creatures fear would ordinarily irritate him and mark it for sale or slaughter, but today the wet cliffs made him equally cautious. He hadn't planned to make this particular journey today—but some things would not wait.

He had received word by messenger early that morning — critical information that pointed to the possibility that the scheme he had set in motion was about to be compromised. Someone was determined to ruin everything ... and that someone had to be stopped.

He had done all he could to keep his work a secret. But the earl had somehow discovered everything. Well, not exactly everything. He didn't know how closely his precious earldom was tied up in the whole plan. Wouldn't that be a surprise? He couldn't wait to see the look of shock on the earl's face. That would make this whole miserable trek in this godforsaken rain worth it.

He turned his gaze to the ocean, where a ship was anchored not far from the bleak Essexshire cliffs. Thirty yards ahead, the path split into two. To the left began the steep descent to the sea—too dangerous for a horse, barely wide enough for a man. To the right, the passage continued along the tops of the cliffs and, not far from the fork, offered the perfect spot for anyone interested in watching the events taking place below. There, he would find his prey.

He dismounted just before the split and left his horse, continuing to the right on foot. Without a mount, the advantage of surprise was his. On foot, he moved by instinct. He knew every inch of these cliffs, having traveled them hundreds of times before. They provided the perfect cover for the work he was doing, the perfect rendezvous point for his partners, and, coincidentally, the perfect place to dispose of someone.

The earl had, at long last, made a mistake. And now he would pay.





one




April 1815

London, England

Oof! I've been stabbed!"

The Duchess of Worthington did not look up from her needlepoint. "Perhaps that will teach you to fidget while at the hands of your dressmaker." She cast a sidelong glance in the direction of her youngest child. "Besides, I highly doubt that Madame Fernaud 'stabbed' you."

Lady Alexandra Stafford, only daughter of the Duke and Duchess of Worthington, heaved a sigh and rolled her eyes. She rubbed the spot at her waist that bore the mark of London's finest dressmaker's needle. "Perhaps not stabbed — but wounded nonetheless." Garnering no reaction from either her mother or the unflappable modiste, Alex slumped her shoulders and muttered, "I fail to understand why I must suffer this fitting anyway."

The duchess continued with her needlepoint. "Alexandra, there are plenty of young women who would happily assume your position, standing on that platform, 'suffering' through a fitting for that dress."

"May I suggest any one of them take my place?"

"No."

Alex knew when she was fighting a losing battle. "I didn't think so."

The Duchess of Worthington had been waiting seventeen years for her daughter to be released, finally, into the social whirlwind of a London season.

For the last three years, Alex's daily lessons had been shortened to accommodate hours of ridiculous tutorials designed to make her most marketable to those unmarried men whom her mother deemed to be "good catches" — which is to say, titled, wealthy, and thoroughly dull.

Perfectly useful time in Alex's days had been taken up with a rigorous schedule designed by her mother and her governess to break her of all her quirks, that is, anything about Alex that someone with a thimbleful of intelligence might find interesting. From "Poise and Posture," a torturous half hour designed to keep Alex's back straight and chin tilted just so, to "Proper Conversation," a playacting session designed to help Alex understand what to say and what not to say to the various men she would be meeting over the course of her first season, to "The Subtlety of the Dance," during which she learned the quadrille, the waltz, the cotillion ... and any number of other dances that would give her a chance to try to "appear graceful and lovely" while practicing all she had learned about Proper Conversation, the lessons were a precious waste of time as far as Alex was concerned. Unfortunately, she didn't imagine anything short of Napoleon's army marching straight through the drawing room of Worthington House would steer her mother from the course of marrying off her only daughter and, even then, she didn't put it past the duchess to question the Captain of the French Guard on his lineage and inheritance before surrendering.

After all , a carefully won marriage was far more important than affairs of state.

The lessons had taught Alex some of the rules of the London aristocracy, however. Do: pretend to be interested as men regale you with the boring details of horses, hunting, and themselves. Don't: reveal any amount of intelligence. Evidently, it scares eligible gentlemen off. Also, refrain from suggesting that there must be men who are looking for a woman who knows the difference between Greek and Latin. That particular remark sends governesses into hysterics.

Top Books